Full of warmth and insight, it is a deeply felt expression of … Their quest takes them to northwest Iran, where he speaks Turkish to Azeri villagers. Panahi’s camera lingers on the austere and unchanging landscape, as it is this, rather than the flurry of human interaction, which is his true subject. The intimate claustrophobia of the S.U.V. But there is another face, a hidden face: that of an female actor from the pre-revolutionary days, who has come to Marziyeh’s village in her retirement to paint. It's not that easy, but it does make for good cinema. The strangeness of the video’s provenance is, perhaps oddly, not clearly addressed by either of them, and they spend their time arguing about the far less relevant question of how or if it has been edited. That setup might suggest a nerve-wracking thriller, but 3 Faces exudes a leisurely pace — in part because neither adult believes Marziyeh went through with the suicide. Photos + Posters is an emblem of the larger interior-exterior divide faced by all the characters, particularly the women. Three Faces Jafar Panahi ‘3 FACES’ ile ana yarışmasına ilk kez katıldığı Cannes’da En İyi Senaryo Ödülü’nü aldı. 3 Faces does allude to his current condition of house arrest and inability to leave Iran, but otherwise there is something a bit inscrutable about it, though always humane. Another is Behnaz Jafari, playing herself, a famous actor, who appears to be shooting a film directed by the movie’s third well-known face: that of the genial, avuncular, imperturbably good-natured Panahi himself. 3 Faces synopsis 3 Faces song, Watch 3 Faces full movie online now.The famous actress Behnaz Jafari has no idea what to do when she receives a video in which a young girl is begging for help after her family did not allow her to study at Tehran Theatrical University. The movie begins on a shocking note. Meanwhile, Troy unexpectedly awakens from his coma and discovers his face missing. After miles of dusty road, phone calls and character-revealing bickering, Behnaz and Jafar reach a village that becomes the backdrop for much of the story. “3 Faces,” in which everyone plays a fictitious version of themselves, starts with a film within a film, shot by the young Marziyeh Rezaei on her cell phone. 3 Faces Synopsis Favorite Movie Button Overview; Movie Times + Tickets; Movie Reviews; Trailers; More. To give credit where it is do, The Three Faces of Eve is about a real case of multiple personality disorder and Alistair Cooke's narration does give it a proper time frame, the cure is a matter of years here. 3 Faces was Jafar Panahi's fourth film made under his 20-year filmmaking ban imposed by the government of Iran, after This Is Not a Film, Closed Curtain, and Taxi. Accused of making anti-regime propaganda, he was forbidden to leave and barred from making movies for 20 years; this is the fourth feature he’s made since. Cannes Festivali yöneticilerinin Panahi’nin filmini takdim etmesi için yurt dışına çıkmasına müsaade edilmesi … Panahi has long explored the protean space between these modes, testing their boundaries. It is hard to tell how intentional these mysteries are. To describe 3 Faces as a multi-generational portrait would not be entirely inaccurate, though it would risk divesting the movie of its quotidian poetry, its deep reserves of mystery and its rich rewards for an open-hearted audience. Did an accomplice do it? What Cassavetes has done is astonishing. 3 Faces may lack the level of polish for a film of the director’s calibre, but Panahi is still able to stuff his feature full of poignant and thoughtful subtext. She is regarded with utmost suspicion by villagers who, despite their fan-worship of the female actors’ celebrity status, retain a patriarchal suspicion of female actors whose time has come and gone – female actors who have lost their profession and fame and now simply women again. 3 Faces – first look review. From there, 3 Faces builds in narrative, thematic, and visual intricacy to put forth a grand expression of community and solidarity under the eye of oppression. It feeds off and often directly alludes to classics like Kiarostami’s Taste of Cherry and The Wind Shall Carry Us. These parties are obscenely lavish. There can of course hardly be any film-maker alive more qualified to address in the audience in that vein, but I was a little disconcerted that Panahi did not continue in his own more modern, more directly humorous and explicit engagement with the politics and society of modern Iran, the sort of work he showed us in This Is Not a Film and Taxi Tehran. This disambiguation page lists articles associated with the title Faces. A young woman in rural Iran has committed suicide because her family will not let her go to the acting conservatory in Tehran. Teaser Trailer. They succeed but also find other women, including one who’s a ghost in a haunted world. Jafar Panahi has here created a quietly engaging quasi-realist parable, part of his ongoing and unique creative cine-autobiography, full of intelligence and humility and a real respect for women and for female actors. He and Behnaz easily track down the missing woman, a discovery that enriches and complicates the inevitable gender divide that runs through this movie like a volatile fault line. When Behnaz exits the vehicle, she isn’t just a restless passenger; she is also an autonomous Iranian woman. Trailers. Observational, insightful, and ultimately powerful, 3 Faces adds another quietly thought-provoking chapter to writer-director Jafar Panahi's filmography. The film begins with the cell phone-filmed suicide of Marziyeh Rezaei (also playing herself), an aspiring young actress denied her shot at acting school by her disapproving family. ... Panahi, as himself, to drive her to the woman’s tiny home village near the Turkish border to investigate. Read critic reviews You might also like If an internal link led you here, you may wish to change the link to point directly to the intended article. But sometimes Panahi’s style is a little opaque in these overtly dramatic situations. It is charming and amusing interlude. The crunch comes when Panahi and Jafari find out the truth about Marziyeh and discover which members of her family are amenable to her wishes and which are not. That’s true of every audience, of course, including the one for “3 Faces,” simply because to watch a movie is to engage in a social act, whether in a theater or at home. A teary, visibly shaken Behnaz repeatedly watches the video as Jafar drives, offering a running commentary on it.

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