Samyang 50mm Cine Review – 50mm is the one missing focal length in the broad Samyang Cine Lens Lineup. cinematographers) have been complaining about a lack of PL mounts and the use of plastic in the housing. Compared to the rival brand's AF 35mm F1.8, the Samyang … Please Note: A full-text review of the Rokinon (Samyang) 50mm f/1.4 AS UMC Lens is not currently planned. I have used them for a couple of years now. MarkGaler.com is a creative community for photographers including a blog + free Tutorials, eBooks, Photoshop Actions and Lightroom Presets. B&H: 35mm T1.5 VDSLRII Cine Lens for Sony E-Mount Using the EF mount on both Canon Cinema and MFT Panasonic cameras (w/adapter). The Samyang range of Cine lenses have been creating a lot of buzz ever since they Continuing our Lenses 101 articles, following Sigma and Tamron, we're stopping at Samyang, a South Korea-based manufacturer offering photography and cine lenses for filmmakers looking for a low-cost alternative.The company got its start in the early 1970s, officially changing its … There is dirt inside the lens that can't be cleaned (picture attached). Michaels: 14mm T3.1 VDSLR II Sony FE Full Frame, 24mm T1.5 VDSLR II Sony FE Full Frame I agree I think a set of fixed focal length lenses are great for cinematic discipline and for planning shots. Do you think it would be better for me to get the Canon versions of the lenses with a Sony adaptor or viceversa? This site uses Akismet to reduce spam. Samyang, known as the 'Master of Wide Angles', created the 14mm using 4 types of special lens elements. Smooth, to say the least! From our experience we’ve found the lenses can look a little soft wide open, which is common to many lenses. We tested a set of Sony FE mount lenses, Markings along the side of the lens barrel: Aperture markings appear along the side of the lens barrel, as it makes it easier for the focus-puller to read them. The Samyang 35mm f/1.4 is a manual-focus-only lens. The aperture ring is broken and doesn't control the aperture at all. You’ve encouraged me to give them a try with the C200! And there is also the benefit that most prime lenses have wider apertures available than most zoom lenses so giving much more control over selective focusing. They seem to have more lenses for more mount fittings than pretty much any other lens manufacturer around. Well, nearly but there are a few points to consider that could be seen as drawbacks of the Samyang Cine lens range. The previously leaked Samyang cinema lenses are now officially announced – 24mm, 35mm, 50mm, and 85mm T1.5 for Canon EF, Canon RF, Canon EF-M, Sony E, Nikon F, Fuji X, and MFT. Samyang 85mm Cine lens for video production in use on the on the Canon C200 and Konova slider. Editors' Note: This review is based on tests performed on the Samyang 85mm F1.4 AS IF UMC. Well, for the past six months we’ve put four Samyang cine lenses through their paces in real-world video productions and have now compiled our thoughts to try and answer the all important question. This post is an extension of the Cine Lens Review from September 10: https://www.markgaler.com/samyang-cine-lens-e-mount. by David Jaques | Mar 9, 2018 | Video production equipment, Video production news | 16 comments. 4 reviews. It feels very solid, despite weighing only 245g. For an average price of $400 per lens the levels of sharpness are definitely on par with others in this range. The newest member of the species is the Samyang 50mm T/1.5 AS UMC CINE DS. Likewise the focus rings although designed to aid a follow focus rig are great to use without one too. As with any camera brand, those from Rokinon/Samyang usually have to compromise on something, be it weight, build quality, or price point. Unless you buy one of the dedicated Macro lenses that Samyang offer you’re probably not going to be able to get too close-up with your shots. And so far this has been a pro point of the lenses. Compared to the Canon EF prime lenses we were using previously the difference is noticeable and makes manual focussing simple and accurate. Comparing the Canon EF lens range with the Samyang Cine lenses for video production there is one striking difference between them: the Samyang cine lenses are completely manual with no electronic parts in them whatsoever. Price: Perhaps the biggest differentiator is the way Samyang has positioned the pricing of these lenses. Korean brand Samyang is also available as Vivitar, Falcon, Rokinon, Walimex, Bower, Opteka, Bell and Howell, Polar, and Pro-Optic. To conclude my Samyang 85mm T1.5 Cine Review, this is a great video lense that is also an amazingly capable photo option. Ratings Distribution. It is now finally here and what we found is impressive. Great article and from a practical point of view. Introduction. 12 thoughts on “Gear Review: Rokinon (Samyang) 12mm f/2.0 NCS CS Wide Angle Lens” adventuredawgs. A noticeable difference between some of the newer Canon prime lenses and the Samyang primes is that lenses such as the Canon 35mm f/2 now has image stabilisation built into the lens, which means using that lens on a shoulder rig , or even handheld, can produce some nice and useable footage. Second time in two tries with samyang/rokinon. However, having recently upgraded our main camera to the Canon C200 we now have a camera with fantastic autofocus abilities but a set of lenses that can’t utilise this feature…dammit! I find that T2.8 is a safe aperture for most situations. Movie clips captured with a Sony A7S ILCE and Samyang Cine Lenses by Abhijit Chattaraj for https://www.markgaler.com (the Sony Alpha Creative Community Online). Read honest and unbiased product reviews … Samyang cine lenses for video production are Manual so you can’t use the Auto Focus options on cameras. For the price they’re great lenses. The idea of nice, fast prime lenses aimed at videographers not photographers, with de-clicked aperture rings on lens and smooth focus rings which can easily be used with follow focus systems became an appealing one. The Samyang AF 35mm f/1.4 FE lens is a very attractive proposition for those seeking a fast 35mm lens. (Click here to read our full review of this lens!) The price definitely can’t be beat and the quality speaks for itself. So I’ve been wondering whether to keep my Samyang VDSLR set. No, problem, thanks for reading and commenting David! Hope you enjoy using the Rokinons . The lenses felt solid and well finished. So whatever lens ecosystem you’re in, Samyang lenses are probably an option for you. We’d recommend them to anybody who is in the market for some fast primes with full manual controls. Review Samyang Cine Like we stated at the beginning you won’t find any MTF charts here for sharpness but instead just our real-world and non-scientific opinions. Although the Samyang Cine Lenses that we purchased were designed for Canon EF mounts and a Super 35mm sensor, it’s very cheap and easy to get an adapter to fix the lenses onto other camera mounts. T-stops are calculated by physically measuring the light coming through the lens. However, we feel given the price of the lenses, these are minor gripes. These lenses are also available for purchase from Michaels or B&H, 14mm T3.1 VDSLR II Sony FE Full Frame And having the Samyangs as part of an arsenal of lenses has suited our filmmaking methods superbly. As the name implies, it is optimized for smooth (step-less) aperture and focus transitions which is important for movie makers (hence the "CINE"). B&H: 14mm T3.1 VDSLRII Cine Lens for Sony Alpha Mount cheers. It’s more about having the right tool for the right job – like all of filmmaking. Over the past six months that we’ve had the Samyang Cine lenses for video production and we’ve found them to be great value, versatile and produce a great matched image across the range that we have. Learn how your comment data is processed. Appreciate your team going to the trouble of sharing your thoughts. Optical construction of Samyang 12mm T2.2 Cine NCS CS lens features 12 lenses in 10 groups – among lenses, there are 1 hybrid aspherical lens (H-ASP), 1 glass aspherical lens (AS) and 3 low-dispersion glass lenses (ED) capturing high quality image. For people working in videography manual focus is more often than not the choice of focus control when operating and so a smooth and highly accurate focus ring is essential, especially when using a follow focus system. Samyang Cine Lenses for Video Production (16mm, 35mm, 50mm, 85mm). Not at all! This is a key features as it allows the cinematographer to use screw-in filters and rod mounted matte-boxes. Throughout this time apart from the odd Tokina lens here or there we’ve generally always stuck with Canon EF lenses. Their latest product (as of this review) is the Samyang 135mm T2.2 ED UMC CINE DS. It's amazingly sharper at f/1.4 than any other Nikon 35mm lens, including the Nikon 35mm f/1.4 G that costs over three times as much, but only if you know how to use it. The aperture ring is click less like on all cine lenses. Practically every manufacturer offers such devices for APS-C/DX sensors but in the majority of cases these are zoom lenses with quite average aperture fastness. As the name implies, it is optimized for smooth (stepless) aperture and focus transitions which is important for movie makers (hence the "CINE"). Costing only about a third of the price of equivalent own-brand lenses from Canon and Nikon, this Samyang is a smart buy. There are even those who’ve compared the Samyang Cine 50mm lens to other lenses including a $5000 Zeiss 50mm and found the Samyang stands up well against it. We have a Canon C100 and C300 with EF mount lens. Print Share. Do You know if Rokinom Cine DS have the same limitations (no stabilization, AF, close focusing, sharpness…)? The focusing ring is smooth to operate B&H: 24mm T1.5 VDSLRII Cine Lens for Sony E-Mount The XEEN CF will be offered in 16mm, 24mm, 35mm, 50mm, and 85mm options for Canon EF, Sony E and PL mounts. Samyang Cine lenses are very popular among low budget filmmakers as they offer semi-professional cine lens “functionality” at a very affordable price. The aperture scale appears along the side of the lens barrel (instead of the top as is usual on stills lenses) and allows setting exposures to a fraction of a stop in the 1.5-22 stop range. They were expensive and only available for selected camera mounts. Your email address will not be published. Back in 2018 Samyang – mostly known for cheap manual focus lenses like the 14mm 2.8 and the 85mm 1.4 at that time – wanted to show what they are capable of and released the first lens of their “Premium MF XP Series”, the Samyang 50mm f/1.2 XP. Since you used the prime lenses on Canon and Sony, have you notice any lack of quality or other issues using lenses on Sony with an adaptor? 5 Stars (4) 4 Stars (0) ... 4 reviews. Wide-angle lens, able to provide an field of view of 100 degrees, constitute a very important part of the optical market. February 20, 2017 at 12:30 pm Your timing is impeccable. If, like us, sometimes you need to work fast and get a range of coverage in a short space of time or may want to use your camera’s autofocus feature, these lenses may not be for you. When operating, the lenses are completely internal focusing with no change in the length of the lens and no rotation of the filter thread. For action photos, I need autofocus, and for that, I use a zoom or the 35/1.8 DX on my DX cameras. Hi David, great artiche! Hi, great article! Lens review. Existe en monture Canon EF ou Nikon F. 749,00 €. Find helpful customer reviews and review ratings for Samyang Cine SYCV24M-NEX 24mm T1.5 Cine Wide Angle Lens for Sony NEX at Amazon.com. They’re all exactly the same products just under different badges. Lumineuse avec son ouverture photométrique T1.5, elle offre une faible profondeur de champ idéale pour des transitions entre les différents plans de l’image. We had heard of complaints that the focussing ring was noisy——but did not experience this in any of he 5 lenses that we tested. Six months on and all is perfect, no? Learn how. Manual focussing on was not a problem with the focus peaking feature in the Sony A7S camera we were using. Samyang has launched its new line of XEEN CF Cine Prime full-frame lenses made from lightweight carbon fiber. Read on to find out more. were announced nearly 2 years ago. The Canon EF lenses we’ve used in past have been sharp and had nice colour rendition as well as having nice image stabiliation in many of their lens’ lineup now, and in regard to the zoom lenses we’ve used from Canon they’ve always been reliable workhorses. At Viva la Zoom we primarily specialize in corporate video production and event filming but we also work as freelance camera operators and for this kind of work we’ve used Canon video (and photo) cameras since we started in 2008. 2 More; … Reply. Thanks to Michaels Camera Video & Digital, we were able to get our hands on the Samyang Cine lens kit. I’m looking at the Rokinon Cine DS lenses, since they are inherently the same company and lens, and this review has cemented by choice. IT is worth noting that it is only with the Samyang Cine Lens for video production Version II that the aperture and focus gears are at the same height, so if you are a follow focus user it is highly recommended to shop around for the version II. Very informative and you guys have a really nice written style. t-stops instead of f-stops: F-stops are usually a mathematical estimate of the amount of light a lens captures. We’ve gone from Canon DSLRs (60D, 7D & 5D) to the Canon C100 and recently to the Canon C200. Cine lenses typically have a few differentiating characteristics: The lenses are available to hire (try before you buy) from Michaels Cameras (Melbourne, Australia). These lenses are an excellent alternative to more expensive cinema lenses due to their simpler construction and manual controls. For a long time, cine lenses (or t-lenses), have lived in the exclusive domain of high-end film-making and expert cinematographers. cost if you decide to purchase any of the lenses. At a small fraction of the price of cine lenses, the Samyang line is aggressively positioned to carve a niche for itself as there is no other product line that it can be compared to. This was something we wanted to move towards: a set of lenses aimed at videographers that allowed us to smoothly change aperture and focus on the lens itself. I have never though in considering this affordable lenses vs the zeiss or other options that are just out of our budget. The Samyang are a great option if you want to build a nice set of lenses for a moderately cheap price. So does that mean the Samyangs are suddenly redundant? names they are being marketed under. Samyang 35mm T1.5 Cine Lens for Canon EOS Video DSLR Cameras 5.0. Continuing their try-before-you-buy tradition, Michaels are offering to refund 50% of the hire self-shooting an interview or filming fast moving subjects. Michaels: N/A, 85mm T1.5 VDSLR II Sony FE Full Frame I use mainly Sony cameras but sometimes Canon either. If you have the option to buy a good adaptor maybe I would buy the Canon versions just because they’re a bit more versatile (at least for us). At a small fraction of the price of cine lenses, the Samyang line is aggressively positioned to carve a niche for itself as there is no other product line that it can be compared to. Don't worry it's is one best lenses i've used. Samyang's 14mm T3.1 ED AS IF UMC II VDSLR is a wide-angle, manual focus cine lens designed for use on DSLR cameras with full-frame and smaller sensors. And now after six months of use we think we’re in a good position now to let you know if we think these lenses are the past, the present and/or the future of our video productions? As outlined at the beginning of the article one of the main attractions of the Samyang Cine Lens range was that they were aimed at cinematographers/videographers rather than photographers, and as such featured de-clicked aperture rings and smooth focus rings aimed at people who would want to utilise more dramatic manual focus changes than photographers usually would. This makes t-stops a more accurate and precise measure of the aperture of each lens. This page is system-required for presenting the (valuable) standard test results linked to above. This is fine for photography but for anyone who’s shot video on a lens with hard aperture stops knows a sudden change of exposure such as a cloud revealing more sunlight or the operator turning towards a brighter environment mean that those hard stops are really jarring when adjusting for exposure, whereas a de-clicked aperture works just like the iris of the human eye and can be contracted or expanded smoothly. https://www.markgaler.com/samyang-cine-lens-e-mount, 14mm T3.1 VDSLRII Cine Lens for Sony Alpha Mount, 24mm T1.5 VDSLRII Cine Lens for Sony E-Mount, 35mm T1.5 VDSLRII Cine Lens for Sony E-Mount, 50mm T1.5 VDSLR AS UMC Lens for Sony E Mount, 85mm T1.5 VDSLRII Cine Lens for Sony E-Mount. thanks for your comment William! I pretty much this lens for every shot on my BMPCC. If manual focus is your preference, these lenses are great. There have been many things we’ve liked about the Samyang Cine Lenses over the past six months, but also a few things to consider that may be considered drawbacks by some. The focus rings rotate smoothly and accurately, with just enough resistance to make accurate focus pulling a breeze. For those on a budget… you’ll have to look pretty hard to find anything better. We’re another one still rocking some C100’s and considering a set of cine primes…, Your email address will not be published. Why? B&H: 85mm T1.5 VDSLRII Cine Lens for Sony E-Mount So why the temptation to change? No problem, Joe! But despite the seemingly scattergun approach to lens making the most resounding question surrounding them all is surely: are they any good? usually depends on which country the lens is being sold. At this point in time I can only recommend the Samyang 85mm T1.5. Great article. Item arrived defective. Samyang cine lenses seem to offer lenses for most major camera mount including Canon EF, Sony, Fujifilm, Micro Four Thirds, Nikon, Pentax, Samsung, and probably if you can name the modern mount they do a lens for it. Depending on your style of shooting or equipment being used this may or may not be a problem. Samyang has added its widest lens yet to its range budget-priced cine lenses.The Samyang 14mm T3.1 VDSLR Mk2 will be available in practically any DSLR or mirrorless camera you can name, with options available for Canon EF, Canon RF, Canon EF-M, Sony E, Nikon F, Fujifilm X, and Micro Four Thirds lens mounts. The quality is uniformly excellent and the price much lower than the marque alternatives. Samyang, also known as Rokinon, has announced a new 14mm T3.1 addition to its VDSLR MK cine lens range. The nyou could upgrade to other superior stuff in places. Iris-pulls are used by skilled cinematographers to maintain consistent levels in scenes where light levels might be changing quickly. Save my name, email, and website in this browser for the next time I comment. Anybody reading this article has probably read at least dozens of lens reviews in their time, if not many more, and all with the same purpose to see if that lens is, well, any good. Like the other VDSLR MK2 lenses, the new 14mm T1.5 cover full-frame sensors and are available for Canon EF, Canon RF, Canon M, Sony E, Nikon F, Fujifilm X … Buy Samyang 14mm T3.1 Cine Lens for Canon EF-Mount featuring Ultra-Wide-Angle 14mm Lens, Standard Gearing for Focus and Iris, "De-Clicked" Aperture Ring, Compatible With Full-Frame Cameras, Compatible With APS-C Cameras, Hybrid Aspherical Lenses, Multi-Layer Coating to Reduce Flare, Manual Focus and Aperture, Built-In Petal-Type Lens Hood. Michaels: 35mm T1.5 VDSLR II Sony FE Full Frame, 50mm T1.5 VDSLR II Sony FE Full Frame We really like the lenses and woking with them with our Canon cameras. Built-in gears for follow focus use: The lenses have built-in film standard 0.8 pitch gears on both the focus and aperture rings—which should fit any follow-focus rig (that uses the same gear pitch), Available in a variety of camera mounts: These lenses are being distributed in a range of mounts including Nikon, and Canon. Perceived sharpness depends on so much from the camera, the lighting, the subject and the lens. Otherwise I’ve found these lenses to be very reliable and adaptable. Required fields are marked *. Rokinon / Bower / Samyang’s Reputation For Amazing Sharpness . The reality is that each lens is different. And I think the Samyangs are a great value set. Samyang lens shows an exceptional optical performance especially in light transmission. For example if we were to stick with our Canon EF lenses but want to use them on a Sony camera such as the FS7 then we would have to buy something like the Metabones EF to E-Mount adapter which costs $449, whereas a passive EF to E-mount adapter that could be used with the Samyangs can cost around $20, which is something very much worth considering when investing in a whole new set of lenses. Spécialement dédiée à une utilisation vidéo, l’optique Samyang 35mm T1.5 AS UMC VDSLR II est équipée d’un diaphragme fluide continu. For the price we’ve found the lenses to be as sharp as can be expected for the this price range and wide aperture range. One of the main reasons we liked the idea of switching to the Samyang Cine Lenses is that they were fully manual – we can control the aperture and focusing quickly and smoothly. Our rationale behind this is that on some projects, such as events and conference filming we need to work fast to capture the footage and sometimes a zoom lens can really help in getting the shots we need in the small amount of time we may have. I love the discipline that a fixed focal length lens offers and still the best television is shot this way , a zoom lens in the wrong hands is a disaster, but in saying that it is very challenging shooting in a quick turnaround environment with fixed focal length lenses , i have a belt i strap around my waste and do my best to make all the right decisions, i have a set of Samyung lenses and absolutely love them , for their look and economy , i have an Sony fs7 and a speed booster ef mount , and being offered lenses that match the economy of the camera was crucial for me, simplicity is a real bonus when you shoot cinema style and these lenses do it for me. Samyang 10 mm f/2.8 ED AS NCS CS. Use these results to compare the Rokinon (Samyang) 50mm f/1.4 AS UMC Lens to similar gear, assisting with your decision making process. There is some amount of confusion around Samyang products because of the many brand Accomplishing great sharpness both wide open and stopped down has allowed the Rokinon family of lenses to appeal to a wide variety of buyers, both photographers and videographers alike. The name But what you’re not going to find her is MTF charts or other data analysis of each lens, instead we’re reviewing how we find using them on a daily basis in the field of professional video production and how we like the resulting images we get when editing the footage we capture with them. Thank you! We found that this is indeed the case and the lenses tend to have a low contrast and slightly de-saturated look, especially when wide open, which is easy to match to each other in post-production. It has been carefully designed for professional film and video work, with the focus gear ring allowing the use of follow focus systems. AF 35mm F1.8 FE in Samyang Tiny Series is small and light with good autofocus and outstanding sharpness. A completely redesigned lens the Samyang 35mm F1.4 AF has been rolled out in November 2017 The build construction is very good with high quality plastic. Michaels: 85mm T1.5 VDSLR II Sony FE Full Frame. For an average price of $400 per lens the levels of sharpness are definitely on par with others in this range. Apart from the aforementioned benefits of easier control of the focus and aperture rings this feature can also have one other major benefit: the ease to use the lenses on many more camera bodies than just the mount they’re made for. B&H: 50mm T1.5 VDSLR AS UMC Lens for Sony E Mount For better or worse, the Samyang family of cine lenses, turns all these conventions on their head—and opens up the world of “cine” to pro-sumers and DSLR or Mirrorless film-makers. In particular we found that the 85mm has quite a long minimum focussing distance (1.1m) which can be quite annoying when quickly trying to capture a nice detail shot with the lens. I’ve been thinking about adding a new lens to the collection. Being able to smoothly alter the f-stop (or the t-stop, more accurately) without sudden jumps in light transmission can make certain footage salvageable when conditions suddenly change. Viva La Zoom provides a suite of video production services and products to fit your specific needs: video production, video editing, corporate video, event filming and event coverage, motion graphics and social media videos. The aperture and focus rings move smoothly with just the right amount of resistance. The model features a T1.5 aperture, 11-blade diaphragm and luminous numbers on the lens rings for making adjustments in dark conditions. For example if shooting outside and a cloud moves over the sun the image can suddenly go darker, but having a smooth aperture ring and quick action can adjust the exposure more rapidly and can make the shot useable whereas with a ‘clicked’ aperture lens the result will be much more jarring for the viewer. Samyang cine lenses 35mm for video production on our brand new Canon C200. I too have a full set of Rokinon Cine DS glass. February 21, 2017 at 9:33 am I’m glad this post was timely! Anything below that is risky in terms of image quality. There is also something loose inside the lens that sounds like a screw or some other metal object. My set [EF 16,20,24,35,50,85] looking to get the 100macro next. I have all range of Cine lenses from Samyang hopefully both Rokinon or Samyang lenses are pretty much the same build and quality lenses from same parent. Samyang 16mm cine lens on the Fujifilm X-T2 and DJI Ronin-M. Well, maybe not make you a better person but maybe make you feel like a better shooter anyway This is obviously not just specific to Samyang Cine lenses but to any prime lens in that shooting with fixed focal length lenses rather than zoom lenses can make you think more about each shot and think more about how each focal length can drastically change the look and feel of a shot. Cet objectif ultra grand-angle et léger hérite de la qualité d’image renommée des séries grand-angle Samyang et bénéficie d’un système de mise au point automatique silencieux, rapide et précis. even with Samyang 8mm T3.8 Cine lens. Looking around on the web, we’ve come across hardcore cine lens buffs (and professional I will add another post after i … We used a Fotga follow-focus rig and the focus action was smooth and accurate. Thanks for publishing this. Samyang 12mm f/2.0 NCS CS Handling and Features The build quality of this lens is excellent. One of the first thing noticeable about the lenses when holding them for the first time is the build quality: all the lenses are made from the same mixture of aluminium alloy and plastic, giving a very sturdy and high quality feel and look. The new 14mm T3.1 VDSLR MK2 joins the existing 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5 lenses in the series. 5 Stars (4) 4 Stars (0) 3 Stars (0) 2 Stars (0) 1 Stars (0) SKU: SYDSCMCB MFR: SYDSCMCB C. Our Price $1,919.00 $160 /mo suggested payments with 12‑month special financing. So how has the move from Canon EF lenses to the Samyang Cine Lenses for video production been? 1. Like you guys we are considering purchasing a set of cine lens and the Samyang a serious consideration. I’ve just got a C200 and am impressed with much it can offer, including the AF. There are even those who’ve compared the Samyang Cine 50mm lens to other lenses including a $5000 Zeiss 50mm and found the Samyang stands up well against it. Anyone who’s taken more than a passing interest in photography or videography over the past decade or so would have no doubt become familiar with the sight of Samyang – or Rokinon outside the EU territories – lenses appearing more and more in shop listings, review sites and on the end of many photographers and videographers cameras. Our range of Samyang Cine Lenses – all with matched focus and aperture ring height, useful for follow focus rigs. Cheers. Arkadiusz Olech . For each of our reviews, we thoroughly test each lens and highlight its compromises, its advantages, … Clickless aperture: The camera operator can change the aperture or “pull iris” smoothly without causing vibration in the camera.
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