âWaiting for The UFOâsâ begins with a guitar riff that approximates a police or air-raid siren, and thereâs a nifty snare-drum figure from the reliable Goulding. He still remains the first touchstone artist of my life, joined over the years by a select few: Springsteen, Patty Griffin, Brandi Carlile and most recently Jason Isbell. They are best known as the backup band for Graham Parker, whose early records (from 1976 to 1980) were credited to Graham Parker & The Rumour. Ashley Graham has also been part of various campaigns led by Leviâs. Jack Nitzsche, whoâd worked as Phil Spectorâs right-hand man for years, and contributed to sessions by the Rolling Stones, Buffalo Springfield and the solo Neil Young, was brought in to produce on the strength of his work supervising Mink Devilleâs first two albums. Actually, the rest of us knew Steve had vocalised what had been obvious for some months. The Intelligent Investor - BENJAMIN GRAHAM. <br /><br />&lt;br /&gt;<br /><br />&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt; I bought this “perfect” album for $1.00 at a flea market in Marion, Indiana back in the fall of ’81. On the whole of Squeezing Out Sparks thereâs no horn section or extra instruments as on previous Parker albums, just focused small band arrangements, with virtually no soloing. However, The Rumour were also recording artists in their own right, releasing three albums: Max (1977), Frogs, Sprouts, Clogs and Krauts (1979), and Purity of Essence (1980). Parker really bites into certain couplets: âWhen I pretend to touch you/You pretend to feel,â âThe movie might be new/But itâs the same soundtrack.â The song has a truly great bridge section: âEverythingâs a thrill and every girlâs a kill/And then it gets unreal and then you donât feel anything.â Schwarz has too many great moments to count, many colored by various effects pedals. Parkerâs typically cranky lyrics punch out: âThe ultraviolet light hurts me so/It used to be my friend/I used to know a good place to go/But now itâs nothing like it was then.â. Up until now Iâve omitted mentioning the lone true ballad, the immensely moving âYou Canât Be Too Strong,â which lays unobtrusively in the track listing like a camouflaged bomb. [citation needed] Together with Parker they recorded several albums, most notably 1979's Squeezing Out Sparks.[1]. or Amazon UK. Rock on, GP! Parker has announced a new live album, Five Old Souls, recorded in 2018 with his backing band, The Goldtops, and the return of the Rumour Brass. [1] While continuing to work with Parker (and to receive billing on his albums), the following year The Rumour began to issue their own recordings, starting with the 1977 album Max (a reply to Fleetwood Mac for calling their latest album Rumours). Schwarz, Bodnar and Goulding all worked with Parker at various times since The Rumour's break-up, and Belmont has appeared on recordings by Elvis Costello and Nick Lowe. This poem, "The Story of Bonnie and Clyde," was the last one she wrote, and the legend reports that Bonnie gave a copy of the poem to her mother just weeks before the couple was gunned down. On 21 October 2010, Parker, Andrews, Belmont, Goulding, and bassist Jeremy Chatzky performed together under the name Kippington Lodge Social Club, at a preview screening of Don't Ask Me Questions, a documentary about Parker. They were all experienced, confident musicians, and Nitzsche hated them immediately, feeling their playing was messy and their commitment to GP wobbly. Considering the presence of Kemba Walker, Tony Parker and Malik Monk, it seems unlikely Graham will be able to make a significant Fantasy impact during his rookie campaign. âThe band are terrible, theyâre not serious about playing your songs,â Parker quotes him as saying. Brilliant music from Mr. Parker. âDiscovering Japanâ begins with a sort of fanfare, then settles into a potent rhythm over which Parker snarls his widescreen lyrics: âHer heart is nearly breaking, the earth is nearly quaking/The Tokyo taxiâs breaking, itâs screaming to a halt/And thereâs nothing to hold onto when gravity betrays you/And every kiss enslaves you.â Nitzsche and his engineer Mark Howlett capture every contour of the sound, from ringing guitars to Gouldingâs insistent drumming. “But lovers turn to posers/show up in film exposures/just like in travel brochures/discovering Japan–a perfect definition of our “selfie” culture. The album was released in November 2012. When local FM stations started playing SOS tracks a few months later, my collection grew to three…and then exploded exponentially and hasnât really let up. Steve Goulding played drums, Andrew Bodnar bass, Bob Andrews keyboards, and Brinsley Schwarz and Martin Belmont were the guitarists. The ending is chilling, as instruments drop out, the tempo wanes and Parker goes into a near whisper. [1] Lead vocals were shared amongst all group members. Ashley Graham was featured on The Tonight Show with Jay Leno, Entertainment Tonight, as well as the CBS News and had made an interview on plus-size modelling on NPR. We did various shows which I can't remember, and although we didn't know it at the time, ended our career as Graham Parker & The Rumour in Essen, Germany at what I'm pleased to say was a brilliant gig, supporting the Police and, happily, broadcast live across Europe on TV! This article is about Graham Parker's backup band. The remaining quartet continued on, recording their own album Purity of Essence (1980) and serving as the backing band on Graham Parker's The Up Escalator (1980) before breaking up by 1981. You gotta be dumb. ... Tim Graham Getty Images. They have been compared to The Band and the Rolling Stones, frequently recalling both simultaneously. When The Up Escalator was recorded, Bob was no longer in the band, and that late, lovely man, Nicky Hopkins, was playing keyboards for us. is a Six CD/One DVD lavish boxset celebrating Graham Parkerâs 40 year career with The Rumour & as a solo artist. Tim Graham Getty Images. 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I blacked out.â. Graham Parker and the Rumour have a similar antsy, anxiety-filled sound, with a vocalist who can sneer with the best. Learn how your comment data is processed. We would like to show you a description here but the site wonât allow us. Read our review of a 2016 live performance. ... Julian Parker Getty Images. The Intelligent Investor - BENJAMIN GRAHAM. âSqueezing Out Sparks transcends the medium,â Parker told journalist Scott Hudson years later with characteristic humor. The Rumour debuted on disc as Graham Parker's backing band on his 1976 album Howlin' Wind. Parker was also left dumfounded by Graham Scott's decision to award the penalty. And I donât even take credit for it. The Rumour were an English rock band in the late 1970s and early 1980s. In 1996 Arista reissued Squeezing Out Sparks on CD with the excellent promo-only Live Sparks appended, and in 2019 Parker re-recorded the whole album âsolo acousticâ for its 40th anniversary, adding for old timeâs sake âMercury Poisoning,â still a fan favorite. âSaturday Nite Is Deadâ is like its twin, at a similarly bruising pace. The following spring all five original members joined Parker to record a new album, entitled Three Chords Good, and in September 2011 Parker and The Rumour filmed a performance scene for the Judd Apatow film This Is 40. These songs are burned in my memory. âProtectionâ is mutant reggae, with Bob Andrews pulling out a series of Steve Nieve-like interjections on piano and Belmont/Schwarz doing a potent lead/rhythm dance. As well, in 1977 Bodnar and Goulding played bass and drums, respectively, on Elvis Costello's first UK chart hit, "Watching the Detectives". For albums with Graham Parker, see Graham Parker's discography. Iâve had three albums of it! âNobody Hurts Youâ has a fast, very peppy stop-and-start rhythm that sounds like the template for Joe Jacksonâs subsequent career. M. Garza Elizondo. The Rumour were an English rock band in the late 1970s and early 1980s. This paper. [1] However, The Rumour were also recording artists in their own right, releasing three albums: Max (1977), Frogs, Sprouts, Clogs and Krauts (1979), and Purity of Essence (1980). The concert, the final show of his 2018 Cloud Symbols tour, is available for pre-order exclusively via 100% Records here. Play the song the way you did when you were writing it in your bedroom.ââ, Related: Read our Spotlight Feature on Parker, Once they were clicking, it only took 11 days to complete the album, which doesnât have a weak song or performance, and continues to be cited as Parkerâs greatest achievement. For the New Zealand band, see, Learn how and when to remove this template message, "The Musical Obsessions of Andrew Bodnar", "Three Chords Good - Graham Parker, Graham Parker & the Rumour : Songs, Reviews, Credits, Awards", https://en.wikipedia.org/w/index.php?title=The_Rumour&oldid=1011136337, Articles needing additional references from July 2010, All articles needing additional references, Articles with unsourced statements from July 2010, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 March 2021, at 06:41. Thereâs a bit of a mini-Yardbirds freakout midway, but like everything else here itâs concise, and the momentum doesnât flag. It was a great one to finish with, and the commercially unavailable video proves it! Bonus Track: Listen to Parker and the Rumour perform a Jackson 5 favorite, “I Want You Back,” live in 1979. Members of The Rumour came from the veteran UK pub rock bands Brinsley Schwarz, Ducks Deluxe and Bontemps Roulez. A compilation album of Rumour material (from their last two albums only) was released by Metro in 2000, entitled Not So Much a Rumour, More a Way of Life. Also other data will not be shared with third person. Like a few other tracks on the album, thereâs an effective use of double-tracking Parkerâs voice, allowing him to sing and react to himself, as if thereâs just too much to say for one man. Belmont and Schwarz lay down some terrific, simple guitar lines. I regret, however, that Iâve been an ineffective evangelist on behalf of Mr. Parker, winning over only one true die-hard despite distributing dozens of mix tapes and CDs. 1979 saw the band showcase their mastery of the new wave sound with Frogs, Sprouts, Clogs and Krauts, a commentary on European society. This is our ultimate guide to dining out: the 50 best restaurants Melbourne has to offer, ranked and rated. Poor Alan Frey, our US manager, was really upset and kept asking Steve to think about it, and that we could carry on. Later in 1981, the Garland Experience was finished - after we came offstage at the last gig in San Francisco, Stephen calmly said "I think we should split...". This is the first solo album from Brinsley Schwarz (himself), formerly with Brinsley Schwarz (the band), Ducks Deluxe, and Graham Parker and the Rumour, among others. Most of the songs were first takes after we got into playing it like I wrote it. At this show, the surviving members of the horn section also reunited, for the first time in 33 years. Graham Norton's Big Red Chair: S22. âYouâre being too clever. Download. Graham showed off his passing ability during summer league, averaging 6.0 assists in 25.9 minutes, but failed to knock down a three on 12 attempts. The middle section builds into intense drama, with Schwarzâs lead guitar unleashed for one of the few breaks that might actually be considered a solo. However, Parker's 1985 release Steady Nerves (credited to Graham Parker and The Shot) was a moderate success and included his only US Top 40 hit "Wake Up (Next to You)". Despite being pals, the Rumour had been unimpressed when Parker played them a slew of new songs heâd prepared while on the road, and openly mocked him. The pounding repetition of âdonât get excitedâ with the lyrics and rhythm melded fades out and the LPâs over with a bang. 40 Celebrity Couples Who Have Been Together For 20+ Years ... Oprah Winfrey and Stedman Graham have been committed to one another since 1986âaka for more than 30 years. They recorded five albums together until they split in 1980. [1] Bodnar said of the band's breakup: I suppose there was no single reason, but really we had nowhere else to go. 40 Rules Celebrities Have to Follow When Meeting the Royals. Already signed to Clive Davisâ Arista label in a deal Parker later said had âway too much money in it than was healthy,â he satisfied his Mercury commitment with the live double-album The Parkerilla and went into Londonâs seedy Lansdowne Studios to record his Arista debut with his usual five-piece band of co-conspirators, the Rumour. Mark Leviton began writing about music and pop culture in 1967, with credits in Rolling Stone, Creem, Fusion, Bay Area Musician, LA Weekly, Phonograph Record and many fly-by-night publications.For 25 years he worked for the Warner Music Group and Rhino Records, producing hundreds of compilation albums and historical reissues, placing recordings in films and TV, and generally having a blast.His weekly radio show "Pet Sounds" is heard on KVMR-FM in Nevada City, CA and the website www.petsoundsmusic.com. All Rights reserved. âLocal Girlsâ has a Chuck Berry-meets-Stax chugging rhythm (yielding to reggae at one point), a catchy chorus with everyone shout-singing back-up, and a rising little melodic hook that moves from guitar to keyboard. âLocal Girlsâ has a Chuck Berry-meets-Stax chugging rhythm (yielding to reggae at one point), a catchy chorus with everyone shout-singing back-up, and a rising little melodic hook that moves from guitar to keyboard. It sports perhaps Parkerâs best vocal ever, with a palpable pain showing as the protagonist asks a series of brutal questions to his lover, whoâs just aborted his child: âDid they tear it out with talons of steel/And give you a shot, so that you wouldnât feel?/And washed it away as if it wasnât real?â Parker described âYou Canât Be Too Strongâ to Murray: âJust acoustic guitar, piano and a bit of bass on it. The songs are more honest.â, Related: Read our review of a 2016 live performance, Normally, Parker named his albums after song titles, although this time he toyed with calling it âThe Basingstoke Canalâ after a waterway connecting to the Thames River, about 30 miles from where he was born in the London area of Hackney (he originally thought heâd write a concept album about the London suburbs). In 1978, after three excellent but commercially underperforming albums for the Mercury label, British rocker Graham Parker was fed up with being âthe best kept secret in the west,â as the lyrics to his acerbic âfuck youâ song âMercury Poisoningâ had it. However, the idea was ultimately shelved after the release of a single: I Want To Make You Very Happy / Call Of The Faithful. I donât know what happened. But then he woke up one morning with âYou Canât Be Strongâ going through his head: âI know it gets dark down by Luna Park/But everybody else is squeezing out a spark/That happened in the heat, somewhere in the dark.â. Elvis Costello and the Attractions were using the same kind of no-frills policy at the time, with equally spectacular results, essentially combining a punk aesthetic with high-level musicianship. Members of The Rumour (often, but not always, acting as a unit) also kept themselves busy during this era appearing as session musicians on various recordings issued by acts associated with pub rock and new wave. Parker made three more albums for Arista before wandering from label to label for the next 40 years, including time at Elektra, RCA, Capitol, Bloodshot and Razor & Tie. Download Full PDF Package. I became a life-long fan after this LP. He just said a few words that got it all going. So it wasn't a case of persuading him otherwise - we already agreed, reluctantly or not. âI donât think thereâs anything as good as that by anybody anywhere. âDonât Get Excitedâ ends the album, with Andrews on a variety of keyboards (including electric piano and a cheesy-sounding garage-rock organ). A short summary of this paper. Parker replied, âI know they overplay the whole time. Music journalist, Stephen Thomas Erlewine noted that the release was "the rare reunion that simultaneously looks back while living in the present."[3]. This ad for the album appeared in the March 31, 1979, issue of Record World. READ PAPER. Squeezing Out Sparks made it to #40 on the Billboard album chart and #18 in the U.K., and sold respectably. 22-0: 31 Dec 17: New Year's Eve Show - Hugh Jackman, Zac Efron, Zendaya, Suranne Jones, Gary Oldman, The Leading Ladies (60 min) S22. The group broke up at the end of 1980, but reunited as Parker's backing band in 2011, and have performed and recorded with Parker ever since. The Rumour were noted for their hard driving, skilled, tightly arranged ensemble playing. Formed in London in 1975. (According to the liner credits, Parker plays some rhythm guitar on the album, but thereâs no telling where, so he might be in here too.) GPâs lyrics are among his most cynical: âPeople are not worth their life now, they are obsolete/Weâre dying to be invaded and put the blame on something concrete.â Thereâs even an anti-love-song lurking in the lines âThis new obsession is turning us alien too/Much more resounding my heart just stopped pounding for you.â The pronunciation of UFO as âU-fowâ no doubt confounded some American listeners: it definitely helped the flow of the words to use the British diction. ... $24.40 (24% off) ... Bedell Smith doesn't believe Anne and Parker Bowles's relationship overlapped with that of Camilla and Prince Charles at all. available from Amazon US. Download PDF. As Parker told New Musical Expressâ Charles Shaar Murray just before the resulting album was released in late March 1979, âThe next day, he came in and had a few beers and loosened up and got into being Jack Nitzsche the producer. âLocal Girlsâ was released as a U.S. single but didnât chart, although it and several other tracks found considerable airplay on the FM dial. The Intelligent Investor - BENJAMIN GRAHAM. All of the former members of The Rumour worked fairly frequently as session musicians in the years following the Rumour's demise. Life trundled on and we did various gigs and festivals as the Rumour, but by mutual agreement, we were no longer playing with Graham. âThe company is crippling me/The worst trying to ruin the best/Their promotionâs so lame/They could never ever take it to the real ball game,â he sang. Andrews subsequently left the group during 1979, with session musician Nicky Hopkins playing piano subsequently. Tell us what to do!â Parker said he needed the Rumour to play like they were in a studio, not on stage, and âget everything simple, like a heartbeat.â, It took a day or two for Nitzsche to take the reins in a come-to-Jesus meeting with the band. The band undertook a short final UK tour in October 2015, finishing with a final concert at the London Forum on 17 October 2015. Your data will be safe!Your e-mail address will not be published. Titled Squeezing Out Sparks after a lyric in the searing tale of abortion and regret âYou Canât Be Too Strong,â the album topped the Village Voiceâs Pazz and Jop criticsâ poll for 1979 and drew comparisons to the best of Bruce Springsteen and Elvis Costello. ... Pool/Tim Graham Picture Library Getty Images. Iâm not disguising so much…Iâm singing about what cuts you up and what doesnât cut you up. Another mid-tempo track, âLove Gets You Twisted,â fades in weirdly before the slamming, jagged rhythm takes over and Parker shouts the minimal lyrics, which obsessively revolve around the same message, that love is confusing: âLove gets you twisted inside out/I knew it existed, I had no doubt/When sheâs in my arms/I get tangled up, itâs true/I canât see the other point of view.â, Graham Parker and the Rumour in an early performance shot. Initially managed by Stiff Records founder Dave Robinson (3), Graham Parker was put together with former members of Brinsley Schwarz by his management and they became a huge and electrifying live draw, bridging New Wave with the earlier Pub-Rock scene. Bonnie Parker wrote the poems in the middle of their 1934 crime spree, while she and Clyde Barrow were on the run from the law. Feeling that their work was overlooked due to their image as Graham Parker's backing band, an album was planned for release as The Duplicates. GP was the first artist where I paid attention to the whole album and not just the hit singles, and he led me to Bob Marley and Van Morrison and Sam Cooke and inspired a journey through pop music that has immeasurably enriched my life. This site uses Akismet to reduce spam. 9 of 19. The band also backed Garland Jeffreys on the tour for his Escape Artist album. 6 Full PDFs related to this paper. Parker later described his arrival: âJack Nitzsche, gnome-like under a hooded sweatshirt, disgruntled at being torn away from an interesting tryst in Los Angeles, and utterly mystified as to who I was, what we were, why he was here in miserable London.â, The Rumour consisted of fugitives from three âpub-rockâ groups of the mid-â70s, Brinsley Schwarz, Ducks Deluxe and Bontemps Roulez.
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